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Showing posts with label NZ Metal. Show all posts
Showing posts with label NZ Metal. Show all posts

Thursday, August 29, 2019

Review: Diocletian - 'Amongst The Flames Of A Burning God'

(Profound Lore Records 2019)

‘Amongst The Flames Of A Burning God’ is the first Diocletian album after its near death and then resurrection due to an 80% lineup transplant. Unlike previous albums, which crushed you by surprise under their monstrous treads, this Diocletian is a feral one which fills you with dread while it stalks you in full view then rips you apart with its huge predatory razor sharp teeth. Its nature pronounces itself through well crafted ‘tension and attack’ sections, sharpened by angry divebomb guitar solos along with dual high and low rhythmic lead vocals from R.W (ex Dawn of Azazel) and Impurath (ex Black Witchery).

At 27 minutes ‘Amongst The Flames’ is also the shortest Diocletian album. Far less polished than its predecessor, ‘Gesundrian’. Its production is closer to the raw filth of debut, ‘Doom Cult’. But with less emphasis on low end or prominence of drums in its mix. Something which enhances its aggressive nature.



The first of three standout tracks ‘Nuclear Wolves’ opens ‘Amongst The Flames’, setting the album’s tone in its full fierce impact. ‘Degenerate Swarm’ continues the theme before arriving at the king hitter of the album, ‘Repel the Attack’. “Repel...’ in my opinion is the strongest Diocletian composition to date. Its introduction to the album of descending riffs using either minor harmonies, chords, scales or a combination (I can’t tell for sure under the chaos) make it stand out along with it’s rhythmic chanted chorus.  Something else that’s prominent on this album. On ‘Berserker Rites’ descending riff theme continues into ‘Invincibility through Strife’ and then ‘Procreate Strength’. ‘Plundered By Hyenas’ for some reason I can’t put my finger on, I’m brought back to reality and reminded that I’m listening to a band of human musicians recorded and mixed onto audio files. This is only a brief interlude however as album closer and final standout ‘Restart Civilisation’ drags us back into the post apocalyptic world of the hunter and the hunted with it’s opening doom and late appearance of Penderecki’s ‘Threnody for the Victims of Hiroshima’ (Google it) which also bids our existence goodbye in it’s dying screech.

A secret is in the hidden groove.

Much thought has gone into the presentation of 'Amongst The Flames Of A Burning God'  Which sees the return of  simplified imagery, also reminiscent of 'Doom Cult'


Each format has been made unique. Including the CD edition which is not featured here.

Critics could ask, is this a different Diocletian using the same name? To which I answer, no, it’s a different chapter of the same concept. A chapter which is in an intermediary stage. Building toward the brilliance of it’s final crescendo, which I hope leaves off from ‘Repel the Attack’.


Monday, August 21, 2017

Obituary: Cleary West 1972 - 2017




Friday 18 August 2017, sadly saw the sudden passing of Cleary West, "Warfare Pulse Controller"of the Invercargill death metal band 'Hatred', of which he'd been bashing the drums for since it's formation in 1992.

I've had quite a bit to do with Cleary and his bandmates over the last 20 or so years. Particularly when I was bringing bands to tour NZ and would get Hatred open on the Invercargill or Dunedin dates. These included Brutal Truth, Pungent Stench (twice), Atomizer, Sticky Filth and numerous local bands.

Hatred in Wellington on their 2014 'Hikoi of Hatred' tour.   L to R Robbie, Cleary, Brady and Sam (RIP)

I, as well as the many who knew him, will miss him for his hardcase personality and hilarious grasp of Southland self-depreciating humour.
My fondest memory of Cleary though, was not so much a funny one, but a more of a heart warming moment.    Pungent Stench were playing the first night of their 2003 New Zealand tour in Invercargill at Tillermans. The show was packed with an enthusiastic audience who were stoked that an international underground metal band like them would come to play their town.  So much so was the disbelief, that the bar had been receiving calls to ask if it was the real Pungent Stench and not just a tribute band using the same name.  Stench blew the roof off that night and after about their second encore, I recall seeing Cleary jump up on the stage, grab the microphone and announce something along the lines of  "Hey everyone, these guys have come all the way from the other side of the world to play this kick ass show for us.  Let show them a big Invercargill round of appreciation!!!".  Which of course it was followed by, leading on to yet another encore and one of the longest (and best) sets Pungent Stench played on that tour.   I know that Martin, Alex & Mario from that line up of Pungent Stench, also felt this show to be a special stand out from all their years of touring and will be ensuring they get to read this.  

At the time of writing, the remaining members of Hatred, Robbie and Brady (Sadly bass player Sam also passed away from cancer in 2016), are feeling pretty broken up at the loss of their mate and have agreed that yours truly should write the initial version  of Cleary's obituary for the New Zealand metal community.   As I'm sure many of you who knew Cleary will have lots entertaining stories to tell to about him, I'd like to make this post a live document that can be added to over time as his friends and whanau remember or feel ready to share.  If you have something you'd like to add, leave it in the comments or pass it onto me via Brady or Robbie.  

Haere ra e hoa, kua haere ki tua o te ārai - Farewell to my friend, he's gone to the other side of the veil

Chris Rigby

Following is Cleary's death notice as it appeared in the 19 August 2017 edition of the Southland Times:
WEST, Cleary James:
2.3.1972 - 17.8.2017
"Warfare Pulse Controller". It is with a broken heart and a touch of anger that we have to announce the sudden passing of Cleary. Loved son of Westy, brother of Bert, Rhondda, Nikki, Mary, Paul, and Darren. Father of Araya and birth father of Khellsey-Anna, Kaytlin and Shayla Rose, step dad of Zhan'e, Annekea, and Jacob. "A Hatred Mate" of Rob Dog, Brady, and Sam. Loved uncle of Crofty, dear friend of Keita, a lover of all things music and our heart and a laugh for any and all. Funeral arrangements to be announced.
\../ BRUTAL HAILS \../No flowers please but Araya likes chocolate! Messages to 64 Price Street, Invercargill.
Avenal Park Funeral Home, Invercargill
03 2189021
F.D.A.N.Z.

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Thursday, October 20, 2016

Heresiarch interview


There hasn't been a new post here since May 2015 and I've been hassling N.H from Wellington New Zealand's Heresiarch to do an interview here since at least 2011.  So it's only appropriate that he gets to break the drought....

1) It’s been awhile since your 2014 Wælwulf ep. What’s been happening with Heresiarch since then?

After Wælwulf, we did shows in NZ and Black Conjuration IV Fest in Australia, at the time I was also doing drums and then bass for Vesicant. For 2015 we were inactive.

This year we recruited N.O on drums, now have J.B back in the lineup and for the first time have a lineup with all members in the same city. We've been working on new material for our full length since. Recently we recorded our track for the split with Genocide Shrines, Trepanation and Serpents Athirst which will be out on Dark Descent and Cyclopean Eye in 2017.

Wælwulf 7" cover
2) Having your line up all in the same city must be a significant change for you. What aspects do you think that does to enhance Heresiarch? If any, what were the advantages of the previous two lines ups that were national and then trans tasman?

Being able to regularly rehearse as a full band has further developed our music, the writing process and presentation of live material.

There were definite advantages in the previous recording lineups but they were independent of location... Each individual involved to date has made important contributions to the band with commitment, experience and musicianship.



3) How did this 4 way split come about? What was the deciding factor for the combination of bands? Tell us about your contribution toward it.

I've been in contact with Genocide Shrines before the "Devanation Monumentemples" EP was released in 2012, we have mutual respect for each other’s music and ideology.

I was in Sri Lanka recently and discussed with Genocide Shrines and Serpents Athirst members, we all agreed on the bands involved and labels to work with. Trepanation are also on board which are one of the best NZ band's today, the track they’ve recorded is pure savagery.

Each band will be contributing one new song to this release, our track represents how the new material for the coming album will sound.


Preview of the Heresiarch contribution to the split

4) Looking ahead from the split, what else is on the horizon for Heresiarch at the moment?

The priority for this year has been working on new material, we’re working on the last songs currently.

We recently played with Immolation at Valhalla in Wellington which was our first live appearance in over 2 years. In November/December we have gigs lined up with Trepanation in Auckland, Wellington and Christchurch alongside some newer bands such as Desolation Horns and Exaltation. We’re discussing opportunities for next year but our focus is towards building the foundations for the new era of Heresiarch.


5) Tell us about this album. Please give an idea about lyrical and musical themes, titles, intended release date and anything else we could expect.


The title is Death Ordinance, it is being composed with a lyrical and musical narrative, similar to what was done with Wælwulf but further expanded.

Each song has a specific place in the album and is written accordingly, it’s important that the full length album is complete, rather than a collection of songs. Release dates will be given by Dark Descent when it is time to, our focus is on composing the material to reflect the vision rather than meeting an arbitrary deadline. One of the tracks features on the coming split and will give an indication.



6) So with ‘Death Ordinance’ being consistent with what we heard on the Wælwulf ep, can we expect to hear more of the dynamic, complex song writing such as that on the track ‘Endethraest’? Also will we see the artwork of Nick Keller again? If so what concept might that take?

The songs composed are more developed than previous material. The addition of C.S has contributed a new element of song writing which still reflects the sound or Heresiarch. The concept, theme and structure of the album is all planned, referenced and we are ensuring that each song composed reflects this.

We are likely to be working with a different artist for the album, our music and lyrics are very visual so the suitable artist will have plenty to draw influence from.

Nick Keller's gatefold inside cover art for the 2011 'Hammer of Intransigence' ep
7) Could you please expand on some of the lyrical themes contained on the Wælwulf ep and how they may be developing on future material?

Wælwulf took a different turn compositionally and lyrically to the previous releases, at the time I was the only member composing material and I drew on a lot more of my personal influences rather than musical.

There’s an atavistic narrative through the piece balancing primitivism and a more reflective underpinning philosophy. The lyrics draw influence from Germanic, specifically Anglo-Saxon historic and literary texts such as Brunaburh and Maldon. There’s allusions to Ragnarök\ Götterdämmerung, with an Anti-Theistic approach (murder of gods, rejection of hope, destiny and fate) as well as implications to the present.

That theme will be expanded on later as a "saga”, but won't be on the album. The album expands on the composition and flow found in Wælwulf, with each track having a specific purpose in the scheme of the album. This is why the Obsecrating, Hammer and Wælwulf were individual demos and EP's rather than recorded together as an album.


8) I guess that leads to a few questions. In your view, how do you see pre-Christian Anglo-Saxon history having implications in the present day? Where did you become interested in these things? Does this suggest that ideas for future Heresiarch EPs might be in their embryonic form?

Numerous historic texts are still applied to the present day which multitudes adhere to with mindless devotion. The lyrical content can draw influence from an event or text without specifically referring to it, there are parallels with multiple cultures and eras throughout history.

There’s no suggestion to foster spurious relationships with old gods and tribes, or escape reality and romanticise the past. Wælwulf recounts multiple references whilst having an application to the present, in mind, attitude and will.

The follow up to the album is already taking form. It will feature previous and unreleased material recorded as a cohesive release.
9) Tell us about the process or processes you use to write your music. What is working particularly well at the moment?

C.S and I consistently work on new material together as well as separately. We focus on each track\section of the album specifically, if something is more fitting elsewhere it will be designated so.

Each tracks place in the overall composition is specific and if it doesn’t reflect this, it is discarded, writing with a greater context in mind has worked well.




10) What aesthetic theme are you considering for your future live shows?

We will be building on what we’ve used previously with smoke, lighting and minimal “crowd pleasing” interaction. Creating an inclusive atmosphere does not reflect our music, in a live setting the listener should be able to experience this, rather than participate in a group activity. The audience should feel as though they are being watched just as much as the band.


11) You say you want "minimal crowd pleasing" in your live show and that you want the audience "to feel though they are being watched". How do you see your audience? If you don't want them to be pleased, for what reason should they come to see Heresiarch play live? 

Those familiar with our sound and releases should know what to expect, we’re not going to strike up conversations and share anecdotes between songs. The live atmosphere is a representation of the sound and vision of the band.



12) Do you have a set idea of what you’re aiming for with Heresiarch’s music? I mean, do you feel like you’re making that music right now? Or are you still exploring the path towards your end goal?

Yes, we are very specific with what we are working towards. The new material written is the best representation of the band musically and thematically and is the most purposeful manifestation of Heresiarch. Throughout each release the music and ideas have evolved while maintaining the underpinning identity of the band, the end goal is likely to evolve with time as well.


13) You’ve talked about influences, be they personal or musical, but what inspires you to keep pushing ahead with Heresiarch today?


We will continue forwards until there is nothing more to say/do, at this stage there is no conclusive end in sight. Even during periods of inactivity we have used the time to formulate and develop ideas for the future, those ideas give purpose and become the motive for continuing. If this changes, the band will cease.

Special thanks to Craig Hayes of Six Noises for his assistance with this interview.
 

Tuesday, October 21, 2014

Review: Bulletbelt - Rise of the Banshee



Album Review: Bulletbelt - Rise of the Banshee (Headless Horseman)
by Mark Brooks

Author Disclaimer: I don’t normally write reviews on a regular basis, mostly due to the fact that I don’t have enough spare time to sit down and write them out. However, as soon as I heard the new BulletBelt album in its entirety, I knew that I had to review it. I hope that through my writing you can understand why.

The sound of a storm fast approaching, ominous hooves gallop in the distance - a rider fast approaches, bringing good news or ill omens? Before one can find out, their head is chopped off in a flurry of tight bass chops, caustic guitar licks, and pounding drums. Before the body does its last convulsion within death's grip, sepulchral acidic voices are heard announcing humanity's final doom.

This is the opening image that BulletBelt's second full-length album Rise of the Black Banshee invokes. A rip-roaring ride of first wave black thrash punk rock that should have plenty of cross-over appeal and is a strong contender for album of the year. 



For those who are unfamiliar with BulletBelt, they are a 5-piece "black-thrash" metal band from Wellington, New Zealand. The band features a slew of talented NZMetal musicians from other legendary NZMetal bands such as Backyard Burial, Demoniac, Karnage and Pervertor. The line-up is as follows: Steve Francis (drums), Ross Mallon (guitars), Tim Mekalick (bass), Ryan O’Leary (guitars) and newest addition Jolene Tempest (vocals).

I put “black-thrash” in quotation marks earlier because this album is not strictly “black-thrash.” BulletBelt have incorporated far more musical influences on this album than their last album Down in the Cold of the Grave, which sounded like a perfect hybrid of 80’s punk and thrash with early-mid 90’s Scandinavian black metal. They went in favour of a more first wave black metal sound like Venom or look to ‘modern’ bands like Midnight for example. The more rock or heavy metal influences come to the fore with tracks like ‘Deathgasm’ and ‘Murderer’s Collar.’ If the No Tag (NZ hardcore punk) ‘Mistaken Identity’ cover was an ode to the band’s punk roots on the last album, then The Nod (NZ heavy/thrash metal) cover of ‘Sniper’ fits in perfectly here to represent the band’s approach on the current album. Although the punk and strictly black metal roots of the band have been dialled down in favour of a wider heavy metal sound, these haven’t completely eroded away. Tracks like ‘Death Tinted Red’ and ‘Numbered Tomb’ feature a heavy dose of icy, blood-curdling Scandinavian black metal and the aforementioned ‘Deathgasm’ also features a healthy dose of punk-rock stomp. These influences, although reduced, turn up in other places, like the artwork.


 

In terms of the actual music itself, BulletBelt have shown a marked and more cohesive song-writing effort on this album in comparison to their previous work. It’s not as if the band has completely changed their sound, but rather has tinkered with it to get the songs to be at their tightest. Razor-sharp guitar riffs from Ross and Ryan not only bring the icy cold wrath accustomed to black metal’s overall sound but also add catchy hooks that get stuck in your head for days. This accompanied by Steve’s well timed cymbal work and chop blasts really add more punch to the already catchy guitar licks. Songs like ‘Tarawera (Burnt Spear)’ and the aforementioned ‘Numbered Tomb’ feature these techniques heavily. For me the real star of the album is Tim on bass; he really shows that just because you’re playing bass, it doesn’t necessarily mean you have to just follow what the guitars are doing. Tracks like ‘Minnie Dean´, ‘Murderer’s Collar,’ and 'Death Tinted Red' really showcase Tim’s prominent bass work, adding that something extra. That extra layer really makes the songs great pieces of music to listen to.

If I had any criticisms about the music side of things, it would be the lack of guitar solos. Don't get me wrong, The Nod cover features a mind-blowing guitar solo from the original guitarist (of The Nod) and ‘Deathgasm’ also features a great solo but I feel that this type of music calls for more solos. In saying that however, these songs do have extremely catchy leads in place of solos like in 'Tarawera (Burnt Spear)' so it is an altogether minor quibble. Perhaps on their next album, at the song-writing stage they could find parts where a solo (or three) could be slotted in. 


Regarding the vocals, I was saddened to hear that Fergus (vocalist on Writhe and Ascend EP through to Down in the Cold of the Grave) had left and was curious to hear his replacement. Those that are familiar with Fergus' ear-splitting vocals will know it would be a hard task to match that impenetrable scream. Has Jolene effectively replaced Fergus? For me, the answer is yes and no. I have been a fan of Fergus’ ironclad vocals from the minute I heard them. However, there was not much dynamism or range to them – the only quality it lacked. Jolene’s vocals make up for this deficiency by adding flair, going into low snarls, attacking mid-range and screeching highs. The only issue is that they’re not quite as powerful as Fergus’. Then again, Fergus was a freak of nature.

Jolene's voice however, adds a venomous, acidic bite to the songs on the album rather than a skull-crushing tone like Fergus’ voice would. Instead of having your skull smashed apart with a sledgehammer you have the (more painful) acid flung in your face, slowly corroding through your skin, melting the bone until nothing remains but a smouldering pus-sack of flesh. It is hard to imagine how the album would have sounded if Fergus had remained. In any case, Jolene does a damn fine job of stamping her own mark onto BulletBelt’s carefully crafted and honed sound.


Another nice addition was the inclusion of guest vocalist Rigel Walshe, of Dawn of Azazel fame, on the track 'Numbered Tomb'. At first I wasn't sure if his vocals worked here as I'm not a fan of Shining (SWE) or Silencer and the guest vocal lines were definitely in this vein (they are interesting to hear at the very least if you're familiar with Dawn of Azazel’s usual vocal style). It has since grown on me and has become one of my favourite parts on the album. Furthermore, the inclusion of more backing vocals/gang vocals on the album, especially on the track 'Deathgasm,' was a welcome addition and one that was lacking in previous albums. I hope that these trends continue in their future material.

On the lyrical side of things, Rise of the Banshee could almost be considered a concept album of sorts. The album features a lot of lyrics focused on the dark, seedy underbelly in New Zealand’s culture/history. For those who don’t know, ‘Minnie Dean’ is about the child-killing woman of the same name who was the only woman to be given the death penalty in this country. ‘Tarawera (Burnt Spear)’ is about the volcanic eruption which claimed many lives and destroyed a cultural landmark, ‘The Pink and White Terraces,’ in 1886. ‘Deathgasm’ is the title song for an upcoming NZ horror/comedy film and so, I assume, the lyrics are based around the movie and its concepts. The other lyrics are more subtle in their meaning but still convey the inner dark nature of mankind. 


BulletBelt have decided not to use Nick Keller’s highly stylised art like in Down in the Cold of the Grave but instead have used the almost cartoonish art style from Scarecrowoven, who also did Steve’s heavy/power metal’s band Red Dawn’s latest EP ‘Ironhead.’ The result is a mixture of classic Mercyful Fate/King Diamond mixed with early AFI (back when if you were into hardcore, it was cool to like AFI) art. The result is analogous to their roots from punk through to heavy metal/first wave black metal and perfectly encompasses the album’s musical outlook and approach. 

The band recorded at STL where they have previously before, but this time they recorded and mixed on a vintage SSL 4000G board - the board itself coming from Peter Gabriel's 'Real World Studios' and has been used for bands like: King Crimson, The Cars, Robert Plant, etc. The result was then mastered overseas at 'The Boiler Room', Chicago. That alone should speak for itself. If not, this album has an excellent clarity to it where everything sounds perfectly balanced. My only comment would be if the guitars were a bit rougher sounding in tone. But what do I know, I’m just a filthy vocalist. 

In summary, this is an excellent album and the band should be proud of the amount of hard work and effort that has been put into making a great album filled with excellent musicianship. They’ve made an album that from the artwork through to the lyrics captured the intended approach and outlook of the band. They have once again set the bar high for themselves and for the NZMetal community and I am eager to see how they will overcome it with their future work.

For fans of the band already, you will love to hear the development and cohesiveness that the band has honed in on for this album. If you're new to the band, then it is a hell of an introduction that you're in for! Don't let Rise of the Black Banshee pass you by this year and get the album immediately. You will not be disappointed.

For fans of: Venom, Midnight, Nifelheim and first wave black metal/thrash metal.

Favourite track(s): Sniper (The Nod cover), Deathgasm

Rating: 9.8/10

To listen to and purchase 'Rise of the Banshee' explore the panel below

Friday, October 10, 2014

BulletBelt Interview


BulletBelt, from Wellington NZ, have been kicking about in different forms since 2009, playing their own unique brand of Black Heavy Metal.  They have just released their second album 'Rise of the Banshee'. Let drummer Steve Francis tell the rest...


1) Could you please give a rundown of why you started BulletBelt and what the driving force behind it is? Why should people check you out?

Bulletbelt started as a 'bedroom' project between Ross and I. Initially there were never any thoughts of even playing live. Just keeping it as a 2 person project and work on it with no stress at our own pace. The first first few months were very much like this. The early material being 2nd wave BM influenced. But over time this beast we created gradually took on a life of it's own and is now very much it's own entity. We've had members come and go but Ross and I are the constants. Hopefully with the line up we have in 2014, Jolene, Ryan, Tim, Ross and I we have the 5 people to keep moving the band forward. We feel that we are blazing our own path and not being swayed by scene or "kvlt". 

2) Before we start talking about BulletBelt as such, Lets talk a bit more your own history in New Zealand Metal? Give us a rundown of where you came from. Ross, Ryan and Jolene also have interesting and different back grounds in the same scene. Tell us about those. I Remember Ross writing to me back in the early 90s when I was in my first band ‘Convulsion’.

Like most people I became 'infected' with metal through having older brothers who had a decent record collection of punk and early metal/rock. Once I heard Eddie Van Halen play eruption on Van Halen 1 it was game over on my pop tape collection. So you get heavier Van Halen - Twisted Sister - WASP - Megadeth - Slayer - Napalm Death. So in college it was time to start a band.. None of us could really play. Karnage was born. We played about a dozen gigs between 90-93 ending with supporting Carcass in Wellington. Incidentally they came up to our flat before and after drinking and their touring Guitarist Mike Hickey (who played on Venom calm before the storm) ending up 'scoring' Totmans girlfriend that night. Around the end of Karnage Sam and myself met up with Lindsay Dawson and formed Demoniac. Hidee Beast came a little later. I played on the 93 Rehersal demo. I left after that and didn't really play a lot again until 2009! Must have been a mid life Crisis. Although I didn't play in bands during that period I still was every much a metal fanatic consuming as many albums as I could get my hands on.

Ryan is obviously a scene stalwart having played in Backyard Burial for many years plus he played in Monsterworks and Bile Suction. Jolene played in Zirconium, Pariah and Majera. Ross also plays drums in local perverts Pervertor and Tim plays in Intergracia

So yeh, too old too cold!


Demoniac - early line up. Steve is on the right holding the up side down sheep
3) You’re in the process of recording a new album. Tell us everything!

The recording is in the bag. Rise of the Banshee is released October 1st, the same day we open for Sepultura! We feel that we've spread our wings a lot on this one. There's some different things going on for sure. The battle cry from day one had been NZBM, but this time around probably NZHM would be a better description. Influences from BM to Motörhead to DM to Thrash. So more diverse, but certainly feels like Bulletbelt. Another big difference this time around is the tunes haven't been road tested. So it's been interesting hearing them really come to life in the studio. Jolene has fucking nailed it too. Obviously practicing the tunes in the rehearsal room at volume it's hard to really pick up on the vocals, so we were going into the studio a bit blind. We know she sounds great but didn't know how it would equate to the studio. Her vocals are going to blow people away. We have made a really strong album, a big step forward for us and I can't wait for people to hear it! The concept of the album was to base it around NZ's dark past. We like to promote ourselves to the rest of the world as this safe, clean green paradise but some evil shit has happened in Aeoteroa. I don't want to give too much away yet but some of the subject matter is Minnie Dean who was only woman hung in NZ. One tune is about the gallows that used to be on the Terrace in Wellington and there's a song about Mount Tarawera erupting and fucking everything up. And like the first album we cover an old NZ song Bulletbelt style. We've revved up 'Sniper' from New Plymouth's The NOD



4) Speaking of Jolene, not so long ago she joined the band after Fergus exited. What happened there with Fergus, and how did you come to pick Jolene to replace him? 

As you know yourself Chris from being in bands for a long time sometimes people just decide their time is up. There was no bad dealings or drama at all, Ferg just let us know he was opting out. We respected his decision and although we were bummed to see him go it was exciting to launch a new

chapter for Bulletbelt. Ferg was never really a 'metal guy'. He would be the first to tell you that. He's now in a 'noise' band and still creating and still a great friend of ours.

Jolene actually did some backing vocals on the first album and told me at the time that if Ferg ever leaves to hit her up which i did! She came and tried out and within a couple of practices we knew she was it. It was a baptism of fire for her as we had a whole bunch of gigs lined up. Ferg had actually offered to do them before he left but we figured once you're gone your'e gone. So we threw her in head first. She played our vinyl release gig after about 3 practices then played with Primate the next week, She did a great job, mainly trying to remember the lyrics! I think it's a relief for her now that we are moving onto new material and it's her lyrics.

5) Lets talk about your current/previous album ‘Down In The Cold Of The Grave’. How do you view that now that you have new material recorded? In your view how was the album received? You self released both vinyl, cassette and CD versions through your own label. How did you find doing that in this post download pirate world? 

I'm really proud of it. We recorded it 2 years ago and some of those tunes are 3 years old. It's a perfect representation of where we were in 2012. The

album was received really well. The only thing I would change is how widely we promoted it. We certainly could've done a lot more. But that's how you learn. Everything we've learnt since our inception in 2009 will be used to push the new album hard. We have a
plan of attack in place to really get it out there. 

Yes we self released on Headless Horseman, Trading and selling to other labels/distros has been the key to getting it out there. The negative of doing it yourself is $ and the positive is total control over everything. In this day and age it's hard work doing tape/CD/Vinyl releases but WELL WORTH the hassle. Ross and I are old school collectors and know the feelings of holding an awesome metal album in your hands and looking at the art work, reading the credits, lyrics and being taking away to that special place that great metal albums can do to you. There is no better sound than the crackle of
vinyl. I know i'm in a minority these days but downloading just doesn't compare. We always have been in this for the long haul so we know that it takes time to sell a batch of CD's or vinyl. 



6) Continuing on with ‘Down In The Cold Of The Grave’. On that Album you had the cover art and logo done by the incredibly talented Nick Keller. What are you looking to do with the visual presentation of the new album?

I was really keen for this one to have a classic heavy metal feel like those great covers from the 80's.. The great old days of walking into a music store and buying a record unheard because of the cover art. Scarecrowoven is doing the art. I stumbled across him in Thrasher magazine and was blown away by his stuff. I contacted him to do my other band Red Dawn's cover art and he nailed it. This time around around I showed him King Diamond Abigail cover as a reference point. He's really captured the vibe and it represents the feel of the album perfectly.


Click the image to purchase and listen to 'Down in the cold of the grave' 

7) You were recently interviewed for Radio New Zealand’s 2 part ‘South of Heaven: A History of New Zealand Extreme Metal’ documentary. Tell us why you think that is important to the people reading this.

NZ metal has a great history and it's awesome that Craig Hayes has documented it. A lot of those bands broke up 20 years ago so it's important that they are remembered. I was a bit player back in the day, but attended many shows as a punter so was happy to be interviewed and give my perspective on what went down. Now
we just need someone to do an awesome vinyl compilation on THONZEM!


Click HERE listen to 'South of Heaven: A History of New Zealand Extreme Metal' as well as complete unedited interviews.

8) You’ve been pretty prolific in your touring around New Zealand. What benefits has this brought to BulletBelt? I understand you’re going to be playing off shore soon? 

Yes we are a busy band and like touring and getting our music out to as many people as possible. If anything it has made us a much better live band. We also like the idea of taking the music to the smaller towns around NZ. As a teenager getting into metal I can still recall the magic of the first gigs I attended. We hope to go to these places hopefully inspire someone to start there own band. 3 shows in Aussie this time around. Getting across the ditch is easy to do but also exciting to play new ground. Brisbane, Melbourne then playing the Bendigoat festival in Bendigo. We have plans to travel further abroad in the future.



9) What is ‘Headless Horseman’? What can we expect from it in the near future?

Headless Horseman is the label and distro that Ross and I formed to get our music out and help fund what we do. Ross handles the distro and I lead the touring side of things. We have brought Impiety/Goatwhore (with Chaos), Midnight, Primate and Krisiun next month to NZ. We both work together on the album releases which have so far been Bulletbelt, Red
Dawn and Pervertor. "The futures uncertain and the end is always near".

Check out the 'Headless Horseman' facebook page HERE




10) Who the fuck are 'The Skull'? Why? What the fuck are they doing?

Haha The Skull are 4 ugly fuckers who have made Chinese Democracy part 2, except it's a 12 minute gang beating rather than a wankfest. And it's hopefully coming your way soon!



11) Cheers for answering this interview Steve! Now is the bit where you get to wrap things up and plug any products or shows you would like readers to be aware of. 

Thanks for the interview Chris. Go and get our album Rise of the Banshee now. You can buy it off the Bulletbelt Bandcamp, at a record store near you or on iTunes. Cheers!


Click the image to purchase and listen to 'Rise of the Banshee' 

Wednesday, February 16, 2011

RIP Matt "Blaps Warmonger" Hall

 http://www.stuff.co.nz/national/crime/4666890/Metal-singer-victim-of-ferocious-attack
http://www.stuff.co.nz/national/crime/4666890/Metal-singer-victim-of-ferocious-attack
So we stopped in Taihape or some place on the way to a gig in Ak and went to this crappy cafe, this girl asked what we were up to so I said we were on our way to Aucks, she goes "Oh whats taking you up there?" Matt looked at her like she was an idiot and said "A car." 
- Ryan Oleary, Friend and band mate of Matt

Matthew Hall. A eulogy by Adam Thomson. Tuesday 22nd February 2011.
by Adam Thomson on Friday, September 16, 2011 at 2:58pm 

I've filled in parts since the funeral. It's quite comprehensive and a bit more personal now. Distribute it to those who missed the funeral or would generally appreciate a copy.
________________________________________________________________


It has been my absolute honour to know Matt personally for the last 6 years, and to have lived with him during that time also. I’ve been asked to speak today on behalf of his close friend and flatmate Dave, and some of his other close friends.

It’s not the shortest speech, but Matt wasn’t the shortest guy.

Beer

His beer appreciation apparently started at a very young age. A few days ago we saw a photo of him for the first time that made us laugh and gave us some scope as to where it all began. In the picture he was 6 months old with his head inside a Lion Brown box. Many times he affectionately recalled the time that his Father took him to buy his first Home Brew Barrel, at about 15 years old. It was the start of an amazing career in Home Brew, which got him a lot of respect, friends, and even an award from his favourite brewing supply store, Great Expectations, for Best Home Brew Lager in New Zealand.

When I first got to know Matt socially, away from gigs, back at the Broderick Brewery, I knew I was in the presence of a true connoisseur. There was a giant bucket that lived by the fireplace, filled completely to the rim, with imported beer bottle caps. It was an impressive spectacle. Little did I know the education that I was to receive over the coming years. I dared not taint the Brewery with the presence of any cheap, local, low-quality beer. Only imported or Home Brew was allowed. I did however turn up with Tui on the odd occasion, always to a steady stream of abuse from the Head Brewer, Matt, and the Assistant Brewer, Dave.

Matt disliked New Zealand beers as a general rule for many years, until recently, when he discovered good local talent, in the form of Emerson’s, Three Boys & Renaissance beers, or Tuatara’s APA. Failing those, he would settle for Mac’s Hop Rocker, as he loved beers with a strong hops flavour. He loved hops so much that he sometimes used expensive imported varieties in his recipes, and had even started growing his own hops vine this summer. He was recently very happy with the vine’s progress and was looking forward to using Broderick Brewery’s own hops in an upcoming recipe for a beer with an overwhelming hops flavour.

Brewing made him happy, relaxed and content with himself. He had already made many successful brews, including some that were very popular amongst those of us that got to enjoy the benefits of his hard labour, intensive critiquing, and flawless brewing ethic. One notable mention is his legendary Razorback Stout, flavoured to perfection by infusing coffee beans into the brew, and using chocolate malted grains, amongst other secret ingredients in it’s complicated recipe. I had never, ever enjoyed dark beer in my life until I had a Razorback Stout. I can say without a doubt that this beer changed my entire perception of beer on the whole, let alone just dark beer. It was smooth, delicious during and after tastes, perfect head retention and no hangover was to eventuate.

Matt wouldn’t do anything by half measure, so naturally, Broderick Brewery only created Boutique Beers. I promised him a long time ago that I would design him a beer label to use. Then I quietly let him forget all about it, until one Christmas a couple of years ago when after exciting him and Dave with promises of an awesome present, I finally turned up with the finished design, in the form of a huge stack of adhesive labels ready for bottles, and 6 t-shirts that proudly displayed a blown-up version of the label, for a very select few to cherish. He told me that it was the best Christmas present he’d gotten in his entire life. There is a photo of him from that night, standing next to 5 crates of freshly labelled bottles, wearing his new Broderick Brewery shirt and singing happily, whilst holding a bottle of his own beer, of course. His smile is wide, his eyes bright and he recently had it displayed on his Facebook page with the caption: “Me overjoyed and filled with song on the Marketing Strategy Board Meeting night.”

The label itself has quite a bit of his sense of humour as inspiration. It says the following: “Highly regarded, hangover free, boutique beers. Made to German purity law specifications. All natural ingredients, including distinguished Johnsonville water.”

Broderick Brewery Beer Tasting Evenings were very special occasions, for a carefully selected panel. They would only comprise of who Matt thought would be able to critique the Brewery creations the best. He would have his writings at-the-ready. Each beer was numbered and dated, to which a corresponding page in the Brewery recipe book comprehensively detailed the ingredients, the step-by-step process involved in its brewing, and it’s maturing time. He would wait patiently, with pen at the ready, harvesting our brains and palettes of all they’d perceived.

He’d recently discovered a Boutique Beer bar called Hashigo Zake, which replaced his previous favourite Boutique Beer vendor, Regional Wines & Spirits on the Basin Reserve. It instantly became his new favourite drinking establishment, outside of the Brewery. I would sometimes pick him up from there, late at night, and although very difficult to understand, his ramblings portrayed his absolute love of the good beer and company that Hashigo Zake offers. He had just joined a collective of other Home Brewers in Wellington that meet there on a regular basis and submit and critique each other’s beers. I picked him up and we went back to the Brewery to join Dave and go over all of the notes he’d received from the others that evening. He was very happy to read the positive feedback he got from his recipes. After this he devised a plan to install a keg fridge setup with two taps back at home. We eagerly awaited it’s completion.

He also recently enlisted the help of our close friend, Frank Schatz, who happens to be an award winning chef with a CV that reads like a fine dining guide. There were big plans, imported whole vanilla pods, and a lot of excitement. Sorry Frank, I know that Matt told you it was going to be a cloudy beer, but he took it upon his better judgement and didn’t know how to tell you yet. After you and him double-racked it, supposedly completing the soon-to-be-prestigious vanilla wheat beer, he took you home, came back, added finings to make it a clear beer and apparently it was the clearest he’d ever seen in his entire life, like glass or water. He told me on Sunday the 13th, while drinking at my house, that he hadn’t brought himself to tell you yet. But he wanted you to trust the expertise of the Broderick Brewery Head Brewer.

There are currently over 40 swapper crates, full, of delicious Broderick Brewery beer. All of them from different recipes and at different stages of maturation. I know that over the next few years as they reach the prime age for consumption, I am honoured to be in the privileged few that will get to enjoy them, and I’ll savour every last drop. And if any of you were wondering roughly how much beer that actually is, it’s not that much. Only about 360 litres.

Music

Your death metal band, Backyard Burial. 12 years ago you played at Punkfest in Thistle Hall, Cuba Street, supporting Malevolence from Auckland, who are here today. I bet you never thought that after a decade you’d still be at it. Backyard was how we met, one cold night, many years ago now. My friend Martin and I had seen you perform a number of times before, and we jacked up the courage to go have a chat to you. You seemed quite awkward, but only because of your shy manner. You acknowledged compliments with the simplest of gestures, but only because you were always so humble. We already had so much respect for you at that stage from just seeing you perform and hearing your releases, but soon we were welcomed into your circle of friends and it was then that we got to see what an over-intelligent, humorous, well-rounded guy you were.

Stage antics have been brought up a fair bit in the last week. At some point last year I got to the Brewery to find a newspaper clipping on the table, which always meant you’d read something you knew others would get a laugh from reading. In this case it happened to be an article about a man seen exposing himself in broad daylight in Johnsonville. We laughed as you joked that you were going to make someone read it out as the intro to a song at the next Backyard gig. I should’ve known right then that I would be the one you’d make read it out, to a decently-packed venue no less. Backyard Burial gigs became an institution in the Wellington metal scene. Often at Valve Bar, hosted happily by patrons & friends of yours, Greg & Fresh. They are often the gigs everyone talks about and there are many stories from.

There are people here today that would have had no idea Matt was even into death metal, let alone a well respected and very popular member of the metal community. You’ve probably had your conception of metal heads drastically altered already but I just thought that I would make sure. Matt’s lyrics were seldom the cliché topics that the name of the genre would suggest. His lyrics were often focused around the human psyche, religion, society & politics. Each song reads like a short story, with clever and comical references to people that you knew or people that have been in some form of popular media.

In the last week I have received literally hundreds of messages of support from all over the country. But Backyard’s listenership doesn’t stop there; I’ve also received messages from Australia, the United States, Germany & more. The notoriety that follows a band like Backyard Burial is special. I was in Scotland in October 2006 and upon arriving at a 5000 person metal concert in Glasgow I began talking to some people. When I mentioned that I was from New Zealand one of the group said “Oh New Zealand! Have you heard Backyard?” I was shocked and pleased and I texted you straight away. I’m still not sure if you ever believed me but I know the truth, you have fans all over the globe, and you will for decades to come.

Last year you joined Brendon and I on occasion for Anger Management, our fortnightly metal show on Radio Active 89fm. You were so happy to be exploring that side of the music scene, the radio studio, and happily bought up tracks to play and we were all too happy to have you there. After all, your taste in music was better than ours.

Seclusion was your recent project and we were all so happy and excited to see your hard work come to fruition. Many hours in the recording studio already counted, You, Jim & Mark were on the brink of completion. You had even written out all of the lyrics and handed them over to Jim. You told me on Sunday that you were almost certain it would be the best Black Metal recording in New Zealand history, and I had nothing but encouragement to offer. We said cheers to each other and drunk to the recording. I have no doubt in my mind that if you thought it was going to be the best in New Zealand history, then it would’ve been.

You always said New Zealand music was rubbish, but you actually had a lot of time for other New Zealand musicians. There are vocalists and other band members from all over the country here today, all paying their respects to the man that meant so much to everyone who had ever met him, and who meant so much to the entire New Zealand metal community.

You’ve given people 12 years of enjoyment through your music so far, and you will for many years to come.

Fishing

Fishing was a favourite past time of Matt’s. Whether it was off a wharf, beach or some rocks, Matt was always keen to cast a line. He loved going over to the Wairarapa on fishing excursions. At Red Rocks, the airport, behind the NIWA Institute or some wharf somewhere, you would rub your hands together excitedly and be the first person to be out the car, set up, baited and ready to go.

Food

He was a big fan of food. He had particular meals that he loved and would have often. I’m glad to say that a few years ago I introduced Matt to Chicken Mee Goreng at KK Malaysia. Although sceptical at first, he quickly inhaled the dish. This instantly became a ritual. At least once a month, he would go into town and enjoy a plate of Mee Goreng from the same restaurant, usually with Dave accompanying him.

Turbot on Fridays (Catholicism)

Matt loved Nachos and it was a real competition always to see who could eat the most. The most memorable nacho meal for me was something like a 1kg block of cheese, 2 bags of corn chips, 1kg of mince, 3 cans of assorted beans, and a large tub of sour cream. This was for 3 or 4 people. He was the only person to finish his plate and still wanted more. He was crowned ‘Nacho eating champion’ which he held for years, until Caspian dethroned him in a recent competition. But he wasn’t feeling very well that day and had no appetite so perhaps we’ll let that one slide...

I took Matt to the Porirua open markets late one night, for an authentic Samoan pork bun. He absolutely loved it and couldn’t wait to go back again. Even telling others how great Pork Buns were! But the next visit, some weeks later, he was too eager and didn’t wait for it to cool. As the molten gravy burnt his mouth, he suddenly decided he hated pork buns! This opinion lasted years, until he only recently admitted that he indeed should’ve waited for it to cool.

Burgers were always an experience at Matt’s house. Stacked tall with delicious fillings, Matt always referred to his cooking as gourmet. I once watched him scoff 4 huge burgers, while I only barely managed 3 of the monstrous creations.

He was also a dab hand at stir-fry, and was a fan of the traditional kiwi dinner of meat & 3 vegetables. Generally this was steak, broccoli, carrots and potatoes. Everything was always cooked to perfection, of course. After all, he could do anything he put his hand or mind to.

Plans

Matt had a few different plans that I can think of so I’ll share them with you...

He had talked about starting a dub band after Backyard Burial wound up. Which may come as a shock to some of you, but he loved artists like King Tubby, and was always defensive of dub and reggae. His latest musical outlet of choice was definitely his band Seclusion though. So passionate about it, you were full of energy and aspiration. I have no doubt that it would have been unmatched Black Metal, the likes of which NZ had never seen.

As I mentioned earlier, you had also planned to upgrade the way beer was stored and consumed at the flat. You were going to start to keg Broderick Brewery Beer, also planning to purchase a fridge to keep kegs in with piping and taps on the front. So ice-cold, home-made, boutique beer would always be at the ready. We’d discussed some logistics and financial aspects of the undertaking and you had it all planned out.

Matt and I had made plans to go fishing over in the Wairarapa this weekend coming. I don’t think fishing will ever be the same again now. But I will cherish the memories I have of us having limited success, and being envious of Ludlow reeling them in. Always competitive you were...

Everything was scheduled and done efficiently, always. You made plans and you stuck to them. You were incredible in that regard. The strongest will and the most self discipline out of us all.

Friends

Matt definitely knew who his friends were, and he let them know they were his. He was always generous and loyal. His hospitality was unmatched. You could taste his delicious homebrew Beer if you joined him for an evening of drinking. You’d be sure to have a full stomach if you joined him for dinner. You were sure to laugh yourself to tears if you joined him on one of his birthday celebrations. His BBQs were always a relatively extravagant affair. Great sausages, hearty steaks, colossal burgers, the likes of which many bands and friends of yours, were lucky enough to have put on for them. This usually meant some beer too. Most times Malevolence came to Wellington it would be ritualistic for them to stop in for the obligatory BBQ and Beers at The Broderick Brewery.

Matt’s generosity was a way of portraying his sincere affection for his friends. Last Sunday, the 13th, Matt texted me asking what I was up to. I told him I had no cigarettes and he was sympathetic, replying “Visit? Warmongers journey to the depths of Berhampore? I will bring tobacco & one or two beers.” Of course I replied “Yes!” and he proclaimed “I will be there with the aforementioned supplies at 5pm, that’s a genuine Warmonger guarantee.” Well he turned up at 5pm precisely, with an entire pouch of tobacco for me, along with a chilli bin full of beers for us to consume. The first thing he said was “I spent $7 on ice!” He would -always- go that extra mile for his mates. We spent the next three and a half hours talking about all things past and present. We talked about our friendship, how far we’d come and where we saw ourselves going, our quarrels and trials, our living situations and our aspirations for the future. We covered so many topics and cleared the air on a few things that had created tension for us. We drank, smoked, laughed and enjoyed music together. It was a beautiful conversation and it will mean the world to me, for the rest of my life. It was, sadly, the last time I was to enjoy the company of my best friend.

Humour

At one point in time, one of Matt’s beer brewing barrels wasn’t sealing properly anymore, so he decided to put it outside the Salvation Army in Johnsonville to be collected. A short time later they affixed a sign to tell people not to leave things there. Matt thought it was quite funny and was quite proud of what had eventuated.

“Heaps & heaps” – One of Matt’s sayings, the origin of which will lie closely guarded between very few.

‘Andrew The Greedy Greedy Whenuapai’ – His cat’s name. Unfortunately, Andrew disappeared a couple of years ago. But there was a new cat, ‘Shub Niggurath Goat of a Thousand Young’.

“Watch out for those queers” – Said to most of Matt’s close friends whenever they left his house.

“Queer of the year” – Said in reference to anyone being overtly queer.

“Wash your back” – A joke form of “watch your back”.

“Don’t put on anything shit Adam” – More recently, most of the time when I went to change the music on the lounge computer.

Ludlowian, Luap, Ludders, Luddite – Various nicknames for Paul Ludlow.

‘Johnsonville Hisser’

Singing our names along to any song that was playing at the time, especially David Lewis.

Burping all the different infernal names: Pzuzu, Baalzebub, Shub Niggurath,  Belial, Julie & Cathy. This was learnt from Dave when he first moved in with him, who is still the undefeated reigning champion. I have unfortunately only recently, after all this time, learnt the closely guarded secret of gastric annunciation.

I was especially privileged to watch a Jimmy Carr DVD with Matt recently. He enjoyed it a lot, laughing out loud a fair bit. It was a small accomplishment for me, as it was hard to bring him anything lengthy that he would actually like enough to sit through the duration of.

Two of the last emails I got from him were an email commending me on my recent fishing reel purchase, and a disguised link to What’s On In Lesbian Wellington.

The first birthday I had after moving out of The Broderick Brewery, back into town, I was gifted a Johnsonville T-shirt to remind me which suburb was the best!

Competitiveness

He loved any sort of challenge and absolutely dominating them, which he usually did. When it was time to get more firewood from the shed, Dave and I would carry as many bits as we could in our arms. Matt, however, would take a colossal copper drum thing, fill it to overflowing with wood, and awkwardly carry the mass back to the house. No one else could even lift what he was carrying.

Drinking wasn’t spared either. He could drink more than anyone I know.  I’ve seen him drink a dozen swapper crate bottles and still hold decent conversation, which is more than you could say for probably 99% of the population.

I’ve already made mention of his appetite but yes, both eating and preparation of food was a competitive sport for Matt as well. He could eat the most and would often boast about it. He could cook excellently and I’m sure given half the chance we would’ve competed in meal preparation as well.

Athleticism

Matt was pretty ripped the entire time Dave or I knew him. He never needed to work out, but when he did, he would fast become muscle clad & toned. He was very proud of this but would never boast about it, apart from once when he attributed German blood to the secret behind his physique. Once when we were having a ‘beer tasting’ he told Caspian to do 20 reps with his 15kg barbells. Upon Caspian’s completion Matt remarked that he was “very impressed”, considering he would “only usually do 10” reps himself. Shortly after, he challenged Caspian to a play fight in the lounge, where we were drinking. This ended in one of the cabinets having its glass door shattered and an exhausted Matt quickly conceding defeat. But, within half an hour he was ready for another attempt, although this time he didn’t get the chance to break anything. Caspian quickly had him in a tight hold that he had no choice but to tap out of. He didn’t say anything on the night apart from congratulating Caspian on his fine exertion of strength and ability, but secretly complained to Ludlow, Dave and I about having a sore neck for at least a week. He never challenged Caspian again and would always say after that “That Caspian, he’s my only physical superior”.

Technology

When I first met Matt, he was quite technology phobic. He was well aware that having a computer would better his quality of life, but he was too worried about getting viruses or hacked through the internet to bother with this strange and intimidating new territory. This very quickly changed. Before long the box of 50 odd CDs that were very well played was replaced, by a computer. In true Matt fashion it wasn’t just a computer, it was a Home Entertainment PC. Two complete rebuilds later and that computer now has a state-of-the-art sound card, satellite TV card, flat screen, infrared input, and let's not forget - more than 300 gigabytes of music. Then there are the 200 odd music videos, and although Matt didn’t even like watching movies, there are a few hundred of those too.

The reason for this very impressive collection, by any standard, is because of how quickly and greedily Matt embraced the ability to download music, a passionate pastime for the flat. He purchased a laptop for the sole purpose of using for the internet, and it stayed in the hallway connected and downloading non-stop for the past 5 years.

For those of you that don’t know how much music it takes to fill 300 gigabytes of space on a computer, it’s roughly 20,000 different artist discographies. ‘The collection’ as we refer to it as, is 99% metal as well. Which makes the effort that much more impressive. This really showed how important music was to him and what a massive part of his life it was. After all, the entire time I lived with Matt & Dave, a television was brought into the lounge only once, so we could watch an episode of South Park together that we’d heard had offended the entire Catholic Church worldwide. Our evening ritual, as was always the case at Broderick Brewery, was to sit, discuss our day and critique the ever expanding music collection.

Studies

Matt was very disciplined and committed when it came to any form of self improvement. He had the ability to sit himself down at his couch and stay focussed for hours on end. He would have a coffee, his tobacco pouch and his workbooks, with which he’d happily study from and take extensive notes from, on a strict daily basis. While Dave would be drinking and relaxing only a few meters away, Matt could not be tempted to stray from his schedule, even by the prospect of homebrew. Although, as soon as his allocated study time was up, he would quickly catch up to anyone drinking around him. None of his friends could comprehend his intense level of commitment to any task that he was interested in. He set out to reach a goal, and he surpassed it, always within the given timeframe.

People that didn’t know him personally didn’t know that he had a degree in Sociology from Victoria University amongst many, many other qualifications. He was far too modest to tell anyone. This could’ve been because his thirst for knowledge was never quenched. Even when he’d hear a word that he didn’t know the meaning of, while some would understand the context it was used in and overlook it, Matt would stop you and want to know what it meant. Sometime after I moved in we decided to go thirds on a Broderick Brewery Encyclopaedia. Of course, a truly colossal Collins Dictionary was decided upon.

While he was studying for his Diploma in Metal Health Studies, he worked hard at a part time job he loved, at the Green Parrot. He thought this would make an impact on his studies so he studied even harder, and fretted over his marks, which he of course had nothing to worry about. He got nothing less than an A grade on every paper.

Closing

My mentor, confidant, ex-flatmate and best friend. You were a brother to me, to say the least.

I cherished our friendship and never wanted it to be over. I was looking forward to countless more fishing trips, beer tastings, bush walks, gigs, road trips & barbecues. I will miss our discussions about psychology, music, gardening, food, alcohol, society, religion & politics. I was so proud when you got that job at the Capital & Coast District Health Board. You encouraged every positive aspect of my life and kept me level-headed when I was getting dark. You were too much for anyone to comprehend. Your charisma, sense of humour, style, energy and execution will be forever unmatched. Not many people outside of your close circle knew what a scholar you were, I was always envious. You had an uncanny ability to excel at everything you wanted to do. Creating music, studying, carrying firewood, drinking beer or otherwise; you beat us all hands down.

I miss you so much already, I'm so very heartbroken... I'm sorry I wasn't there to protect you when you needed me, you were always there for me. I'm deeply scarred by what's happened, as many are, but I know you better than most people and I know that although you would've appreciated the sorrow for what it is, raw emotional human tribute, you would prefer that we just take the beer recipes from the prestigious Broderick Brewery, the recordings of Backyard and Seclusion, and all of our great memories of you and cherish them forever.

You were a better person than any of us could ever hope to be. I’ll never forget this period of my life and still don’t want to admit it’s over.

Love you always, Matt. From your mate, Adam.

Don’t worry, I won’t put anything shit on the stereo later on tonight.